灵感来源于我从一个美国物理学博士朋友那里听到的关于“时间晶体（time crystal）”这一最新科学概念受启发拍的寓言故事电影，因为刚听到的消息最近有加州大学伯克利分校的科学家在实验中真的做出了一个极小的时间晶体，验证了这个理论的可行性。时间晶体这种结构允许它能在不需要任何能量情况下周期性振动，就像一个不需要上发条的时钟。这种在时间中重复的模式与在空间中晶体里原子排列的重复相似。2012年，诺贝尔物理学奖得主、理论物理学家弗兰克·维尔切克首次预测了时间晶体的存在。普通晶体拥有在空间中重复排列的原子结构，例如钻石中的碳晶格。2017年3月9号，美国《自然》科学杂志发表了加州大学伯克利分校的研究院首次在实验上制作出了一个极微小的时间晶体。终于发现了真正的时间晶体。
A Discovery is a fable movie made after I was enlightened by “time crystal”, the latest scientific concept I heard from an American friend who is a doctor of physics for the latest news was that some scientists at the University of California, Berkeley actually made a tiny time crystal in their experiments, which verified the feasibility of the theory. As a structure, a time crystal can repeat periodical vibrations without requiring any energy, like a clock without a spiral spring. Such repeating mode in time is similar to the repetition of atomic arrangement in space. In 2012, Frank Wilczek, a theoretical physicist and Nobel Prize winner in physics, predicted the existence of time crystal for the first time. Common crystals have atomic structures that are repeatedly arranged in space, like the carbon lattice in diamonds. On March 9th, 2017, the Nature, a USA-based science journal, published that the research institute of the University of California, Berkeley produced a tiny time crystal in its experiments. A real time crystal was finally discovered. 
    由此启发，我想到了一个关于发现时间晶体并寻找昨天的寓言故事，开始就是一对男女在殴打审问另外一对戴麻袋头套的男女，质问他们where is “Y”（yesterday），他们发现自己被困在时间晶体里，当钟声响起，他们穿过走廊来到另外一个房间，却发现房间类似，然后就被另外的一对男女套上了，并像开头那样被质问“where is “Y”？其实套住他们的就是另外一对他们自己，他们陷入一个循环之中。在房间的场景设计上我选择了一个废弃的工地增加荒凉与末日感，并用了大量的烟雾营造诡异、软科幻的氛围。而走廊的设计则增加了灯光流转表现时间的流逝，钟表特写的0101表盘代表时间晶体的周期振动，穿越走廊寓意他们经过了一天从“今天”变成了“昨天”。我想表达的就是人们应该珍惜现在，不要过多留恋过去，昨天是找不回来的，我们应该看向无限的未来。
Enlightened by this, I thought of a fable about finding a time crystal and looking for yesterday. At the beginning, a couple beats up and interrogates another couple who wear jute bags, asking them “Where is ‘Y’ (yesterday)?” They find that they get trapped in a time crystal. When the bell rings, they go to another room through a corridor and find that the room is similar to last one, and then another couple puts jute bags on their heads, being asked “Where is ‘Y’?” In fact, the couple is trapped by themselves as another couple, and they are trapped in a cycle. In terms of the scene design for the room, I chose a waste construction site to increase desolation and doomsday feelings. In addition, plenty of smoke was used to create strange and soft science fiction atmosphere. For the design of the corridor, lamp light movement was added to manifest the passage of time. The 0101 dial plate, a close-up for the clock, stands for the periodic vibration of time crystal. The movement of passing the corridor means that they spend one day by returning to “yesterday” from “today”. What I want to express is that people should cherish their present moments without indulging in the past for the past cannot be back and we should look into the future.

时间晶体time crystal

Dream Redemption是讲述了a man通过贩卖梦境救赎自己的故事，故事源于我以前做过的一个梦，人们的梦可以贩卖来赚钱，而主线故事则源自身边发生的校园欺凌新闻事件。我想通过拍这部短片让人们关注校园欺凌，探讨人性究竟是本恶还是本善，以及个体的人性是否是一成不变还是说会不断的变化和发展。这也是我自身成长经历中一直想要探讨的，我本人也经历了各种善恶交织的事情。
Dream Redemption tells a story of aman to sell dream for self-redemption. The story is sourced from a dream I had before. People’s dream can be sold to make money and the mainline story is sourced from school bullying news events occurred around. I want to shoot this short film to enable people to pay close attention to school bullying, discuss that the human nature is on earth good or bad and the human nature of individuals is invariable or will constantly change and develop. This is also what I always want to discuss about in my own growth experience. I have also experienced all kinds of things complicated with good and evil.
   为了使故事更加生动吸引人，也为了增加悬念，我把一个人被一群人围殴欺凌的场景放在最开头作为热开场吸引观众，然后就切换到dream贩卖背景介绍片段，介绍了梦境贩卖的机制原理。后面将 女生见死不救的手机梦境片段引发众人议论作为悬疑点，而后揭示女生救了男生而且被轮奸，而男生自己却因为害怕没有救女生。中间还穿插了男生偶遇梦境贩卖机、签订无限制贩卖梦境协议。我通过男女双线的叙事手法在最后才揭示，原来之前现实中出现的女生其实一直是男生，男生因为内疚不断贩卖梦境导致分不清梦境与现实，同时在梦里把自己的人格杀死，从此在现实中一直以女生的身份活着，才有了开头那些除了手机视频里的女生是真正的女生其他场景的女生其实都是男生的事实，我们通过以女生的身份出演男生的角色意思就是男生以这种方式救赎自己，而且他把女生的身份活地很成功，女生英勇救人的事迹得到了大家的宣扬，女生也成为了一个社会人物，他自己内心里也认为自己就是那个女生了，虽然从周边的人眼光看他的外表还是男生。
To make the story more vivid and attractive and add suspended interest, I arranged the scene that a person is beaten and bullied at the most beginning as a warm-up opening to attract audiences, then switched over to dream selling background introduction episode and introduced the mechanism principles of dream selling. Later, the mobile phone dream episode of schoolgirls to do nothing to save somebody from ruin to cause everybody’s discussions as suspense points and then revealed that a schoolgirl saved schoolboys and was raped by turns but the schoolboy did not save the schoolgirl for fear. I inserted the episodes that the schoolboy comes across the dream vending machine and signed an unlimited dream vending agreement. Through the narrative technique with two clues of schoolboys and schoolgirls, I finally revealed that the schoolgirl occurred in reality before is actually the schoolboy. The schoolboy is continuously vending dreams for guilty conscience and so he is confused about dream and reality and he meanwhile kills his personality in dream. Then, he lives with a status of the schoolgirl all the time. So the fact is that the schoolgirl in mobile phone video is the real schoolgirl while the schoolgirl in other scenes is actually the schoolboy. To play a role of a schoolboy with a status of the schoolgirl means that the schoolboy realizes self-redemption in this way and he successfully lives with the status of the schoolgirl. The story of the schoolgirl to bravely save people is advocated by everyone and the schoolgirl has also become a social figure. He thinks he is the schoolgirl from his inner heart though people surrounding see that he is a schoolboy in appearance. 
  所以在对于梦境与现实的处理上，梦境采用偏暖色的色调，以固定机位为主，变现梦境的迷幻，现实采用冷色调，以表现现实的残酷，以手持镜头表现纪录真实感，但是在短片最后现实场景女生照镜子变成男生时则变为暖色调，因为在这里梦境与现实开始融合，男主已经分不清梦境还是现实。
So in the treatment for dream and reality, the dream has a warm color tone. I mainly used a fixed camera position to show dream illusion. Cool tone is adopted in reality to show the cruel reality. Holding cameras can show the sense of reality in records. However, in the final reality scene of the short film, when the schoolgirl looks into the mirror and sees her to turn into a schoolboy, the scene turns into a warm tone. Since the dream and reality starts to integrate here, the hero has been confused with dream and reality.

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