和平的世界，本就不该让习俗、种族、距离，烙上分歧的印迹。你的经历，我的来历，不知道怎样的不经意便会产生奇妙的交集。任何虚伪的逢场作戏，不如你主动了解我或我主动了解你。恰如本片：一间木屋，两面国旗。

A peaceful world should not put on it with a mark of disagreements over customs, races and distances. Without knowing how but inadvertently your experiences are wonderfully mixed with mine. Any hypocritical play is not as good as you take the initiative to understand me or I take the initiative to understand you,  just like this film: A Wooden House with Two Flags.

由维州澳华社区委员会出品，澳大利亚维多利亚州卫生部资助。

PREVENTION IS THE BEST PROTECTION｜2022

女孩新搬进的公寓里，有一个她不知道的“室友”。每当她的眼睛闭上，它就会出现在她身旁。当她终于察觉到它的存在，为时已晚。

在这部短片中，导演选择不去用例如营造悬念、突然惊吓等传统的恐怖电影技巧，而是去试验为观众带来一种印记效果。将一个念头印记到观众脑海中 —— “每当你闭上眼睛的时候，比如洗脸、冲澡时，也许有什么东西会出现在你的身旁。但你永远不会知道，因为当眼睛睁开时它就会消失。” 从而尝试去创造甚至在离开影院后仍会留存的惊悚感。

A young girl relocates to a new apartment, yet an unfamiliar "roommate" unknowingly shares her space. Whenever she shuts her eyes, this presence materializes beside her, revealing itself only when it's too late for her to react.

In this concise narrative, the director deviates from conventional horror filmmaking techniques such as suspense-building or jump scares. Instead, an innovative imprinting effect is employed to resonate with the audience—an unsettling notion that during moments like closing one's eyes, washing one's face, or taking a shower, an enigmatic presence might be lurking nearby, imperceptible when the eyes are open. This approach aims to evoke a lasting sense of apprehension that lingers beyond the confines of the cinema.

眼睛闭上的时候 WHEN THE EYES ARE CLOSED | 2014

他在与她的婚礼之前，给心中的他打了一通电话。

孝道，作为中国的传统美德，至今仍在当代中国产生深远影响。其中一个关键理念是维系家族血脉，这也成为国内LGBT群体的巨大心理压力之源，促使他们被迫步入PH现象之中——即与异性结婚，而对方并不知晓其性取向。这些婚姻最终往往以悲剧收场。影片的创作灵感来自对这一社会现象的关切，旨在探讨传统文化准则是否需要重新界定和理解。

Two young queer Chinese men who are entangled in a heartfelt connection find solace in a phone conversation just as one of them is on the verge of entering a marriage with a woman.

Rooted in Confucian philosophy, a prominent ideology within late imperial China that still reverberates in contemporary Chinese society, is the concept of filial piety—an essential virtue focused on securing heirs. This enduring ideology has placed significant stress on the LGBTQ community in China. Many find themselves compelled to marry unwitting partners of the opposite gender due to familial and societal pressures. Tragically, these coerced unions often culminate in heartbreak.

This film strives to shed light on the struggles of individuals caught between societal expectations and their own authentic identities.

祝福 BEST WISHES｜2021

使用手机拍摄的实验短片。探讨当代社会中所谓“完美”女性美的标准驱使许多女性失去对她们自我的认知，甚至鼓励这些女性通过一些激进的手段来改变她们本来的模样，比如非治疗性质的整容手术, 来追求某一种特定长相。然而， “美”的标准却是在不断变化的。

本片与视觉艺术家杨苏合作完成。

This short film discusses the shifting socialized ideal beauty that makes women lose recognition of themselves and even encourages them to change their appearances through radical ways like unnecessary non-therapeutic surgery, for example, to desire for a particular look. However, the “standard” of ideal beauty is fluid.

 This film is a collaborative work with visual artist Su Yang as a part of her creative artistic research of feminist art.

家有两面旗 TWO FLAGS - 预告片｜2019

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