“WAS IST EIN TELLER ？”
一只盘子是什么？

在由田咖喱@Curry_Tian 执导的NOWNESS #表演力# 系列最新短片《舞台上的盘子》中，@重塑雕像的权利 乐队主唱华东发出这样的疑问。重塑的音乐就像一个盘子，承载表达之外，留有感知的空间。

艺术

无缝转场

概念

VIPASSANA 是一部混合媒介影像音乐作品，集合3d视觉特效，真人实拍，合成渲染，概念调色等多种媒介，独立视觉导演田咖喱兼导演，美术，摄影，制片，3d渲染，后期于一身。本片是一部讲述主角自我追寻与救赎的音乐短片。拍摄，后期均在洛杉矶完成。

VIPASSANA

疫情期间，同食共饮从一件日常小事变成了令人怀念的亲密回忆。当身体无法靠近，渴望陪伴和饱餐的人们尝试在线上重置失去的体验。三位亚裔表演者在“吃播”镜头前享用代表性的亚洲食物，配以诡魅的舞蹈动作、混乱的图像质感，呈现出一场融合了公众表演和私人欲望的虚拟晚宴。

MUKBANG ROLLER

American Film Institute 
FIRST 15届入围导演

梅赛德斯奔驰 The All-new C-Class L PV Teaser

前奥美创意总监（文案）
跟文字和脑子打交道的事儿，都欢迎来聊聊

“ IT IS NOT SPRING, UNTIL ALL FLOWERS BLOSSOM ” (a quote from Shui Mak Ka, one of the factory workers initializing the 1982 Garment Strike) is a homage to
the overlooked and objectified laboring body of Asian Immigrant Women in the western world, with an eye on the garment factory owners and workers within the New York
garment production sector as a representation of the US social panorama.
With reference to the French philosopher Gaston Bachelars’s topo-analysis theory from his literature work The Poetics of Space — a form of research that examines the
intimacy of objects and spaces; the working space itself becomes the representation of one’s identity, cultural behaviour and a kind of consciousness. Thus, this
collaborative project aims to explore the poetic relationship between these women factory worker’s invisible social identity, the workspace, movement and fashion in the
Chinese diaspora in America, dating from the 1970s to present times.

NOWNESS X RETROS 舞台上的盘子 Teaser

标签

评论